Abstract: Don't bother gelling a scene that is completely lit by a single flash. But if a second light is involved—even ambient light—it's always better to control color at the source.
PIctured above is Midwest Camera President Moishe Appelbaum. He wandered into a lighting class I was teaching at Midwest last fall, so we pulled him aside and shot him. He's lit by a single LP180 speedlight, fired through a white bed sheet.
(Pro tip: A speedlight fired through a bed sheet will rival the light of the most expensive octabanks in the world—in quality if not in quantity. It all comes down to square inches in the light source. And a bed sheet has a crap ton of square inches.)
After our previous lesson, you might think that this photo is an ideal candidate for a warming gel: caucasian skin, warm background, warm-colored clothing. Why not unify this with a little added warmth?Read more »
PIctured above is Midwest Camera President Moishe Appelbaum. He wandered into a lighting class I was teaching at Midwest last fall, so we pulled him aside and shot him. He's lit by a single LP180 speedlight, fired through a white bed sheet.
(Pro tip: A speedlight fired through a bed sheet will rival the light of the most expensive octabanks in the world—in quality if not in quantity. It all comes down to square inches in the light source. And a bed sheet has a crap ton of square inches.)
After our previous lesson, you might think that this photo is an ideal candidate for a warming gel: caucasian skin, warm background, warm-colored clothing. Why not unify this with a little added warmth?Read more »
Lighting 103: When Not to Gel Your Flash
Reviewed by MCH
on
March 16, 2017
Rating:
Reviewed by MCH
on
March 16, 2017
Rating:
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